Going through my playlist at the end of a work week is like the toast to the weekend; especially when you have been gone away on vacation for the past week with no contact with the outside world. YouTube playlists and subscriptions coming out my ears so sometimes it's rather hard to follow each upload unless doing a round up such as this. I hope this will make the starting of your weekend energetic, whether you are going into work or escaping from it.
Apologies in advance for those who loathe my video articles but there are just too many great clips out there to ignore. So if you do not have the bandwidth to watch this video, then too bad! Hahaha just kidding.
So for the slower connections just load the article, go for a coffee/glass of water, return, play and enjoy! This will surely be one of my playlists for the end of the work day and hopefully doesn't keep your eyes glued to the screen for too long. Cheers and happy Friday!
*Please click on the hyperlinks of each video to find out more about the artist and album releases.*
"Alpha" is taken from Periphery's latest double album "Juggernaut", which was released on January 27th, 2015 via Distort Entertainment/Sumerian Records.
"True Zero" is taken from the Cancer Bats upcoming album "Searching For Zero", which will be released on March 10th, 2015 via BMG Rights Management (under exclusive license to Dine Alone Records).
"Vultures Fly" is taken from Avatar's latest album "Hail The Apocalypse", which was released on May 13, 2014 via GAIN Music Entertainment & Entertainment One.
"My Witness, Your Victim" is taken from The Agonist's upcoming album "Eye of Providence", which will be released on February 23rd, 2015 via Century Media Records.
So one of the newest sections I created was "Full Album Streams". Not only did this gave folks something to listen to when they are cruising the site (being that the original intention of this site was to acts as a hub to explore), but also a chance for people to explore new artists, new genres, and new albums before deciding to purchase them (also from links on AFGM's site).
Full album streams seem to be a new fad that a lot of internet savvy people are jumping on. It can be in the form of a Soundcloud widget, a YouTube playlist, or even a single YouTube video. This often gives record labels a chance to promote new artists and for people to subscribe to their social media pages. So hopefully this provides you access to some new music, bands, and/or artists. Cheers!
PS - Feel free to send us an email if you have any albums you think you should be on this list or a new one coming out we missed. We're always listening!
Darkest Hour is a five piece group hailing from Washington, DC. Formed back in 1995, this marks the group's first record release through Sumerian Records. The self-titled album "Darkest Hour" was released on August 5th, 2014. For their eighth studio record, Darkest Hour consists of:
John Henry – vocals | Mike "Lonestar" Carrigan – guitar | Mike Schleibaum – guitar
Aaron Deal – bass | Travis Orbin – drums
(Album artwork courtesy of Darkest Hour and Sumerian Records)
1. Wasteland* 2. Rapture in Exile 3. The Misery We Make* 4. Infinite Eyes 5. Futurist* 6. The Great Oppressor 7. Anti-Axis 8. By the Starlight* 9. Lost for Life 10. The Goddess Figure 11. Beneath The Blackening Sky 12. Hypatia Rising 13. Departure
(* = AFGM recommendations)
"Fuck waiting around to die!" This is our first impression from the newest album from Melodic Death Metal/Metalcore band DARKEST HOUR, their first album with Sumerian Records, their self titled album and possibly their strongest album to date. DARKEST HOUR are in the right mind set with this album, the "dudes" really know what their doing and its time for everyone to pick up their album. -Metal Temple
And here we go yet again. My day job (as usual and expected) has me keeping busy during the day which forced me to miss a few days on the new album releases. I got to be honest... I did not do my homework ahead of time for this week's releases. If so, I would have know that artists like Gov't Mule, Jamie Cullum, and Level 10 would be dropping new material! I kept a close eye on my normal heavy bands like Periphery, Tear Out The Heart, and Eisbrecher, but I was equally disappointed in myself considering I am a big fan of Gov't Mule and Jamie Cullum.
Anywho, what's done is done and hopefully you folks can make your way down (or up) to your local record store. If it's too cold (friggen Canadian weather) or too far away, then be sure to order from an online retailer. If digital is more your thing then be sure to purchase from a trusted digital source. Cheers and have a great week!
(Kenny G - Brazilian Nights)
Starting with melodious sounds of “Bossa Antigua,” the ten-song set is a mixture of classics and Kenny G originals. Writing five of the ten tracks with longtime collaborator (and co-producer) Walter Afanasieff, the veteran performer plays alto, tenor and soprano sax and dazzles on such cuts as “Bossa Real, ”the gently pulsating “April Rain,” and the relaxed yet dramatic flair of the title cut. -Concord Music Group
(George Ezra - Wanted On Voyage)
The astounding thing is, there is always room for one more take on everything that has been done to death: the crime novel, the romantic comedy, the sandwich, the singer-songwriter. You might think fanbases (and their spending power) are finite things, but success is more like the internet: it doesn't really ever fill up.
He packs a Harry Potter scar and a set of songs that navigates the cusp where breezy folk-pop – the stuff of lucrative ad syncs – tips over into someone getting murdered scuba diving off the north coast of Belgium. -The Guardian
\ (Gov't Mule featuring John Scofield - Sco-Mule)
Sco-Mule isn't a jazz album by any standard definition; it rocks way too hard for that. Still, with Scofield's intuitive way of taking the music ever so slightly out, only to bring it back in again with the kind of effortless aplomb he's developed in a career now entering its fifth decade as the guitarist moves into his mid- sixties, Sco-Mule ain't your typical jam band album either. Instead, it sits somewhere in-between, with everyone forgetting about artificial delineation. Sco- Mule is, quite simply, great songs played by a terrific group that may have been performing live for the first time, but was already imbued with a profound connection that went deeper and broader than any one genre. -All About Jazz
(Jamie Cullum - Interlude)
Cullum’s voice is older now, but it’s smooth, it’s husky, and it’s actually rather sexy. As you listen to the album you have an image of Cullum on stage – think Ronnie Scott’s – jamming, snapping his fingers along, playful and full of charm as the jazz band play throughout. The album has everything jazz you need – there are the smoky jazz tunes such as ‘Interlude’, ‘Walkin ‘ and ‘My One And Only Love’. ‘Do You Not Know?’ has an earthy feel to it, and ‘Don’t Be Misunderstood’ is soulful.
His interpretative skills are impressive, as he demonstrates with each song, particularly on ‘The Seers Tower,’ and ‘The Ballad of Hollis Brown’ where he modernises this classic by adding in a touch of Bob Dylan and thus puts his stamp on the tracks. -SoSo Gay
(I Am They - I Am They)
One listen of I Am They’s debut reveals a band that’s fully functional but not hitting on all cylinders. The songwriting is good enough for a debut, but it’s not at all surprising, and the album doesn’t dig too deep overall. The good news is that they’re a talented band that already possess the tools for creative success. With tightened up songwriting and less focus on the well-worn contemporary path, I Am They can create something all their own and truly memorable. For now, I Am They’s debut uncovers plenty of holes that experience, and a matured approach, can surely help to fill. -Jesus Freak Hideout
(Twiztid - The Darkness)
While they have gone in a dark direction before, this album speaks volumes for just how Twiztid these two can get! They decided to drop the more “mainstream” sound that they had started to turn towards on their last 2 EPs for old-school beats, incredibly raw raps and lyrics that will make your skin crawl… yet make you truly think about the world. The Darkness is not for the faint of heart… this album is the darkest, realest and most thought-provoking rap album of 2015 without a doubt. With tracks like “In Hell” which deals with the subject of Madrox dying and being trapped in hell, followed by “Back to Hell” that speaks of how Monoxide saved him but all he wants to do is return to hell because the world has become such a horrible place. It gets pitch black as you go farther into the album and the band even recommends that you wear a blindfold as you listen to the album from front to back. This is an album that is void of all subliminal messages, it’s an album that doesn’t rely on radio play, an album that is truly worthy of many plays. From the dope beats to the dark lyrics, the production and even the new elements (there’s some symphonic parts if you listen closely)… it doesn’t try to distract you from how deep it is. Very few rap groups ever attempt this method and even fewer have done it successfully. Say what you will but Twiztid has been making underground rap for many, many years and I’m entirely certain they won’t be disappearing any time soon. -New Transcendence
(Archive - Restriction)
In Restriction, Archive have created an album that does a fine job of representing their eclectic ethos, but this eclecticism also leads the album to occasionally touch on the edge of incoherence. Because of this, Restriction may not be a strong enough album to see Archive break into the UK mainstream just yet. It looks like they’ll be holding on to that “big in Europe” tag for a while longer. -The Line of Best Fit
\ (Papa Roach - F.E.A.R.)
The angsty sound that Roach do so well is a prime element of 'F.E.A.R' and, mixed with catchy riffs, thunderous bass lines and heavy drums as well as the occasional House-style synth, the album is a statement that Papa Roach are ready to take on the big league and come out on top.
However, there's always a difficult decision for bands that have been around for a long while to make; whether to upset their die-hard fans and create something completely different or remain the same and stay stagnant. But 'F.E.A.R' seems to be a nice middle ground, mixing the new and the old and creating a balance that many bands would be jealous of. -Contact Music
I don’t want my talk of clean vocals to water down the absolute heavy voraciousness of these albums; check out songs like “MK Ultra” (Alpha) and “The Bad Thing” (Omega).There are some really rocking space-jazz type songs that will actually make the prognerds wanna break shit and mosh. Some of my favorite songs are the “Alpha”, “Rainbow Gravity”, “Four Lights”, and “Omega”.Never has a band both intrigued, frustrated and made me hungry to see them live like the two new albums from the Maryland sextet Periphery. January 27th will give you all the chance to hear the entire album for yourself and you will be impressed. -Rock Revolt Magazine
(Tear Out The Heart - Dead. Everywhere)
...when you play metalcore like Tear Out The Heart do, you have set yourself apart from every other metalcore band out there. Upon first listen, these guys don’t. You know where every song is going to go, and you know that the verses are going to be heavy and the choruses will be clean. You know the entire formula after the first song. The guitars usually harmonize with each other. There’s a breakdown after the second chorus. You’ve heard the whole thing before.
However, if you listen closely, you start to hear why this album works.
All metalcore has hooks, those parts that will get stuck in your head and not leave, even under duress. Dead, Everywhere has hooks and then some. Bassist/clean singer Isaac Etter’s voice has no discernible trace of Auto-Tune, and you can clearly hear the strain of hitting the notes he sings. While the vocal melodies seem to be a bit repetitive, they’re still catchy as shit. -Skulls N Bones
(Sweet & Lynch - Only To Rise)
It’s obvious from the moment the music begins that Only To Rise is going to be something special. Michael Sweet and George Lynch are both on fire as they play and sing through 12 tracks of auditory nirvana. From the opening track, “The Wish”, to the album’s final track, “Only To Rise”, both of these icons of rock bring their A-game. James Lomenzo (Bass – White Lion, Megadeth) and Brian Tichy (Drums – Whitesnake, Ozzy, Foreigner) also do a great job in the bass and drum department. And together, this band knock it out of the park! -Christian Review
(Level 10 - Chapter One)
On paper Chapter One should be just about the greatest Melodic/Power Metal album ever. In reality it’s a really good album that at the end of the day isn’t equal to the sum of its parts. As good as it is to have these stellar performers in one place, the songwriting – good as it is – perhaps isn’t up to the task. Yes, Chapter One is a completely enjoyable album and one that grabs your interest throughout, but there are no instant classics here that you know you’ll be listening to a decade later, like you do with Allen-Lande songs like “Another Battle” and “The Revenge” or Primal Fear’s “Face the Emptiness” and “Fighting the Darkness.” Again, this is a really strong album, and there’s no way fans of melodic metal aren’t going to bang heads to songs like “Blasphemy” and “Cry No More.” Level 10 just doesn’t live up to the admittedly high expectations a lineup like this brings. -Hard Rock Haven
(John Lande & Trond Holter - Dracula: Swing of Death)
Vocalist Jorn Lande delivers his most encompassing work to date as the voice of Vlad Dracul, aka Vlad the Impaler. Trond Holter offers up some of the most addictive and memorable riffs and solos, which play perfectly into the songs’ storylines. Holter also serves as the pianist for the record. The female vocals for the voice of the character Mina/Lucy, are performed with flair and precision by Norwegian singer Lena Fløitmoen. Bernt Jansen (bass) and Per Morten Bergseth (drums) serve as the rhythm section for this intriguingly dark and exciting journey. -Metalholic
(Eisbrecher - Schock)
It’s hard to characterize this record in one word: it's heavy, even aggressive, but at the same time lyrical and touching, devoted to rage and despair, sarcasm and provocation, supplemented with hard riffs and presented in the typical style of EISBRECHER. Anyway if we have to characterize the album then this is rock, filled with senses, symbols, and ready to go beyond the creative boundaries of the band, inviting listeners to join this musical journey. The album opens with ‘Volle Kraft voraus’, a powerful anthem revealing its main question: “Can your hope be a rescue?” Dense, strong, but melodic guitars leave no doubt - EISBRECHER will break not only the walls, but also the ice in the heart of every listener, proclaiming significantly “Your peace will not set you free”. And we understand that, as long as there is a dream burning inside, it’s impossible to resist – full speed ahead then! -Reflections of Darkness
So one of the newest sections I created was "Full Album Streams". Not only did this gave folks something to listen to when they are cruising the site (being that the original intention of this site was to acts as a hub to explore), but also a chance for people to explore new artists, new genres, and new albums before deciding to purchase them (also from links on AFGM's site).
Full album streams seem to be a new fad that a lot of internet savvy people are jumping on. It can be in the form of a Soundcloud widget, a YouTube playlist, or even a single YouTube video. This often gives record labels a chance to promote new artists and for people to subscribe to their social media pages. So hopefully this provides you access to some new music, bands, and/or artists. Cheers!
PS - Feel free to send us an email if you have any albums you think you should be on this list or a new one coming out we missed. We're always listening!
ERRA is a four-piece progressive metalcore group based out of Birmingham, Alabama. Forming in 2009, they have recently signed with Sumerian Records and released their debut EP titled "Moments of Clarity", which was released on November 10th, 2014. The band currently consists of:
Ian Eubanks- Vocals | Jesse Cash- Guitar/Vocals | Alex Ballew- Drums | Sean Price - Bass
(Album artwork courtesy of ERRA and Sumerian Records)
"There's no doubt this is among the most anticipated underground metalcore releases this year. This is especially true for our followers, who claimed ERRA as their champion is last year's Metal Madness. ERRA have been steadily traveling the road to metallic glory, putting out a number of releases since their inception in 2009 (not to mention their run under the moniker of By Blood And Iron). This venture to success has been paved with a sweet, Progressive Metalcore sound capable of flawlessly blending supreme heaviness with a melodic approach. But the real cherry on top has always been the band's musical aptitude." -The Circle Pit
So this morning I opted for something a little more mellow as I usually do on my morning bus rides in. Like I've stated before, there is a time and place for everything. Most of my heavy metal mornings consist of a TGIF moment or a day that breaks from my norm. This however was my normal routine type day and as usual I'm 1/2 asleep when riding the TTC. So I digressed...
Today's choice was "Songs of Anarchy: Music from Sons of Anarchy Seasons 1–4". While being a big fan of the show (and yes, I understand as a consumer that this not what a real biker gang looks and acts like), I never fully appreciated the music that goes along with it. I think it was my own omission though as I focused on plot development rather than other variables like music. So I finally had the chance to throw this album on y playlist this morning and was very surprised with the outcome.
Not only do you get the classic introduction music of the show (created and performed by Curtis Stigers) called "This Life". If you don't believe me, then take comfort in knowing that his theme song was Emmy nominated and ASCAP award winning. And funny enough, Curtis is known for his jazz and saxophone work. Who would have thought?!
What happened to be my favourite selection in the album was the few tracks to follow. Katey Sagal is also quite the vocalist and is featured a few times in the series (makes sense since her husband Kurt Sutter is the creator of the show). Songs like "Son of a Preacher Man" and "Bird on the Wire" make for some spectacular add-ons, while other tracks like "Forever Young" (Audra Mae and the Forest Rangers) and "Fortunate Son" (Lyle Workman and the Forest Rangers) gave me a permanent smile the way down. Hell, "Forever Young" even gave the energy to pick up my acoustic when I get home and give it a shot.
"Featuring music from the first four seasons of the FX original series Sons of Anarchy, this album pulls some of the best music composed for the show into one collection. Including the show’s theme, “This Life,” as well as country-fried covers of “Gimme Shelter” and “House of the Rising Son,” the soundtrack captures the gritty vibe of the show, which follows the exploits of a rough-and-tumble motorcycle club in Northern California. Fans of the show will especially want to check out the covers of “Bird on a Wire” and “Son of a Preacher Man,” which feature cast member Katey Sagal on vocals. Definitely a great collection of tunes for your next journey on the open road." -All Music
Quick side note. Shout out to Canadian metal band Anvil for picking up a track on the album. Nice to see any extra Canadian exposure in music! So here is the track listing of the album. It was released on November 29th, 2011 via Columbia Records.
1. This Life 2. Son Of A Preacher Man 3. Forever Young 4. John The Revelator 5. Fortunate Son 6. Slip Kid 7. Girl From The North Country 8. Someday Never Comes 9. Gimme Shelter 10. Bird On A Wire 11. Hey Hey, My My 12. What A Wonderful World 13. Los Tiempos Van Cambiando (The Times They Are A-Changin') 14. Strange Fruit 15. House Of The Rising Sun
So if you feel inclined to check out the album, I highly recommend it for a morning where you've got an hour or so to kill. There are tons of great artists (like Anvil, Franky Perez of Scars on Broadway, Lions, Alison Mosshart of The Kills/The Dead Weather) contributing to the cause and hopefully will gear you up for Volume II...which will be next on my list.
Another side note, in case anyone was overly impressed with the album, The Forest Rangers (aka the band behind the SoA music) have an album in the works and crowdfunded throughout the fall and winter of 2014. You can still pre-order the album through their crowdfunding site.
So of course, when running your own blog it can be tough to keep up with the s**tload of stuff that comes across our ears over a weekend! Some good, some bad, some not even worth mentioning. I guess that's how I use AFGM in general. These articles that I go through everyday from various sites (Blabbermouth, CBC, National Post, AV Club, Google, Wired, Exclaim, Music News, Rolling Stone, etc.) and sort of "filter" some of the nonsense news such as the latest fashion design, who's got beef with who and who ISN'T doing music...still.
These articles brought forth are for a few different reasons:
1. It is relevant music information that pertains to you as a reader, no matter the level of intent or the genre.
2. They are relevant to the music I would be currently listening to or a genre I have put some attention and focus on.
3. I am rather patriotic about my Canadian music, so that always comes as a first for me. I enjoy music from all parts of the world respectively, but I still have to promote local if I can. Canadian music rocks!
4. Because it's humorous and we can always use a good laugh. Rarely will it be at someone's expense...but then again I am just the guy talking about it. They're the ones causing the comments.
So in closing, I trust you all will not read EVERY single article posted here. But I hope you find something of use here and keep the conversation going by forwarding it onto someone else. Click on each article heading for redirection to the full article. Cheers!
“We’re increasingly looking for projects that qualify as television events and these harrowing true stories of courageous young men and women who found love, in spite of the heinousness of slavery, certainly does that. Furthermore, the idea of also developing this into a Broadway musical with Stevie Wonder is very exciting as we look to expand the scope of our live stage business. We’re thrilled that these producers wanted to bring this important project to us.” -Robert Greenblatt
"The study collected water from 30 sampling sites on many dates throughout 2011, particularly those before, during, and after the Spring Scream music festival's duration. Among the findings: the waters saw spikes of illegal drugs that coincided with both locations and dates that were known for being popular with tourists. The locals were a bit more sedate, with general analgesics appearing most often in the waters they used."
"We would not have the songs of Loretta Lynn, Robert Johnson, Nina Simone, the Beatles or Meshell Ndegeocello. In fact, we would not have bluegrass either, which traces its roots and rhythms to country, blues, jazz, gospel and old-time string band music. There would be no Bill Monroe, no Flatt and Scruggs, no Osborne Brothers. No Hazel and Alice, no Ricky Skaggs, no Alison Krauss."
"We owe so much of our success to you. Your loyalty and support throughout the past 20 years motivates us to do our best work. Without you, we wouldn't have ten top 10 singles and four number 1 singles. We wouldn't have won five Grammy awards or sold 65 million records worldwide. Without you, we wouldn't have become the most successful girl group of all time! Without you there would be no TLC!! This album, our FINAL ALBUM, is dedicated to all of you that have stuck with us, always challenging us to do our best. And of course, it’s for the new fans too! ;) We just want to put out great music that touches everyone. That’s it."
"EDM as a simple acronym has been floating around since the ‘80s, according to several sources. But it didn’t become a popular descriptor of the music and culture until about six years ago, when it was used to market a new generation of dance music artists like Skrillex, Swedish House Mafia and David Guetta, as well as the massive festivals at which they headlined."
"This devolution runs contrary to what has happened in just about every other consumer category, where technology steadily improved the quality of the experience. Take video, where resolutions keep improving. High-definition television is becoming standard, the ultra-high-resolution 4K era is fast approaching. People may be watching movies on smaller mobile screens, but nobody is watching in black and white."
"We can't get it out of our system. Back in the day, parents went out and bought albums and 45s of their favourite acts, and this was played in the home, and children were introduced to various tracks. I would say we are more into foriegn music than Jamaican music. The average Jamaican can tell you more about Mariah Carey's catalogue than they can about any Jamaican artiste." -Michael Barnett
"Attempting to draw new audiences to classical music is a primary goal of the Philharmonie. Nothing is more essential to a field in the midst of longstanding challenges. But the institution also hopes older patrons and those who found the traditional Salle Pleyel inviting and convenient, will make their way to this arts center, in a park that includes the Paris Conservatoire, a music museum and an established theater. The Metro here sets a standard for urban subway systems: It’s easy to use and remarkably quiet; trains come frequently and go everywhere. There is a stop right near the Parc de la Villette."
"Music Center is one of the top 200 apps in over 75 countries & has 150000+ downloads in less than two months! Here’s what the press is saying – • Cnet.com – “Unlocking your iOS device, launching the Music app, then finding a song you want to listen to is a routine we all repeat. Music Center speeds up the process by taking advantage of iOS 8’s Today widget in the Notification Center.” • TUAW.com – 'I wasn’t sure how useful Music Center would be, but I find I am using it frequently. I especially like the access from the lock screen to play music via Bluetooth while I am driving. It’s quick and easy.' • AppAdvice.com – 'Music Center is a pretty cool idea and makes it easy to get quick access to your music library without having to unlock your device'. • Lifehacker.com – 'If you’ve ever wanted easy access to your whole music library from anywhere, Music Center’s a good place to start.'"
"Jerry Garcia was a great American master and the Grateful Dead are not just a genuine piece of musical history, but also an important part of American history. This is a band, born right at the beginning of electric rock, that took the American tradition and moved it forward. They really embodied the American concept of freedom, rolling around the country with a ginormous gang of people and the mindset that 'you can come if you want, you can leave if you want. We don’t know what’s going to happen. All we know is we’re not looking back.’ What could be more American?" -Anastasio
"Now a web developer can write the markup -- or HTML code -- directly into the site's code or implement a widget or plugin that creates the markup. Put another way, structured data used by a ticketer's web developer is able to point Google to the relevant information -- like an event page or ticket link -- so Google can include it in search results. Developers can either take the markup from Google's schema.org or install a supported events widget from BandPage, Bandsintown, Songkick or Gigpress."
"Monster's tactics significantly increased the costs for Beastie Boys to vindicate their intellectual property rights, such that, absent an award of attorney's fees and costs, plaintiff's success at trial would become a Pyrrhic victory."
“Tupac Shakur was one of the most original and important of all hip hop artists. His writings are both powerful and provocative. It is an honor to be the first music museum to acknowledge Tupac's legacy and to bring context to what was an incredible career.” -Robert Santelli (Grammy Museum Executive Director)
"If you’ve never seen the System 35, System 55, or Model 15—you really can’t miss them, they’re beasts—you’ve almost certainly heard them. These are the same machines rock keyboardists used to paint the hazy, space-prog otherscapes of the 1970s. Emerson, Lake & Palmer, Yes, Rush, Brian Eno and Tangerine Dream all used them. But they also made Stevie saucier and Herbie hotter. And, being open-minded adults viewing the history of music through the long lens of time, we can freely admit that Moog’s modular synths made for some pretty kick-ass, adventurous disco records."
"Of all hobbies and activities, music is the only one that can increase children’s IQs by up to 7.5 points if they start at the age of about two and continue for six years. Even one year’s music training before the age of seven, when the brain is at its most malleable, can boost IQs by three points. Neural pathways are laid down before the age of seven and while you can still get the benefits later, they won’t be as “hard-wired” into the brain. You also have to do more than simply listen to music to get these benefits."
"Array is unique, though, in that it goes beyond hosting public concerts. While they also offer rehearsal time (with two baby grand pianos handy), artist studios, a library, and audio recording (with engineer, if requested), Array Space is just a section of the Array Music world. Array programs lectures and workshops like the Indigenous Music Creators Project and the Young Composers' Workshop, and special Array Sessions. All this ties into founding force, the Array Ensemble."
"The library has more than 500 pre-cleared, mostly EDM songs from "established and burgeoning labels, including Mad Decent, Dim Mak, Spinnin’ Records, OWSLA, Monstercat, Fool’s Gold, and many more," which Twitch broadcasters can use live and with VODs (past broadcasts/highlights). Artists can also submit their music to be used on Twitch if they are the copyright holders and if they have at least 250,000 subscribers or followers on YouTube, Facebook, and/or Twitter."
"The book was a no holds barred account of the iconic 1980s band's rise to top of the hair metal and rock scene, all while experiencing a guitar case's worth of drug overdoses, sex with slinky babes, run-ins with the police and in-fighting.
Armed with a screenplay written by Rich Wilkes and Tom Kapinos, Focus is promising a "Dr. Feelgood" movie that will be outrageous, larger-than-life depiction of the band's high (and low) life.
Julie Yorn, Erik Olsen, and Allen Kovac will produce. Chris Nilsson, Steven Kline, and Rick Yorn will executive-produce."
"We’re shooting for April, but it might get pushed back, we don’t know yet. Depends on when we finish the album, do you know what I mean? Because we have to have setup time for the album… at least two-three months. So three months, we might just make the April deadline." -Cazares
"We're extremely excited to be part of a roster alongside not just great bands, but great people who are dedicated to the craft and enthusiastic about our vision of where we see Fallujah going. Fallujah is all about pushing the envelope, taking risks, and keeping an open mind; with that mentality we felt Nuclear Blast was the most obvious and logical step for a band such as ours. With our team behind us, we can't wait to see Fallujah grow."
"We can't put down in words how excited and happy we are for signing with Sensory records, since it's very hard to find these days labels who truly help, support and believe in their bands. Memories From The Future is an album full of energy and emotions and personally, it's the best thing I've done so far. We're all very proud of it and we can't wait to share it with the world. Make sure to listen to it as loud as you can!" -Maxi Nil
Mastodon And Clutch Join For 'The Missing Link Tour':
Apr. 16 - St. Paul, MN - Myth * Apr. 17 - Winnipeg, MB - The Burton Cummings Theatre * Apr. 18 - Saskatoon, SK - O'Brian's Events Center * Apr. 19 - Edmonton, AB - Expo Centre * Apr. 21 - Calgary, AB - MacEwan Hall * Apr. 23 - Vancouver, BC - Commodore Ballroom * Apr. 24 - Vancouver, BC - Commodore Ballroom **
Apr. 25 - Portland, OR - Roseland *
Apr. 26 - Seattle, WA - Showbox SODO *
Apr. 28 - Oakland, CA - Fox Theater *
Apr. 29 - Los Angeles, CA - Palladium *
Apr. 30 - Tempe, AZ - Marquee Theater *
May 01 - Las Vegas, NV - House of Blues *
May 02 - Salt Lake City, UT - The Complex *
May 03 - Denver, CO - Red Rock's Amphitheatre *
May 05 - San Antonio, TX - Kapone's Ballroom *
May 06 - Oklahoma City, OK - Diamond Ballroom *
May 08 - Atlanta, GA - Shaky Knees Festival
May 09 - Raleigh, NC - Lincoln Theatre Street Stage *
May 10 - Pittsburgh, PA - Stage AE **
May 12 - Clive, IA (Des Moines) - 7 Flags *
May 13 - Milwaukee, WI - Eagles Ballroom Club Stage *
May 15 - Bethlehem, PA - Sands Event Center **
May 16 - Baltimore, MD - Pier Six Pavilion **
May 17 - Boston, MA - House of Blues *
May 19 - New York, NY - Central Park Summerstage *
May 20 - Niagara Falls, NY - Rapids Theatre * May 21 - London, ON - London Music Hall *
May 24 - Columbus, OH - LC Pavilion **
* MASTODON closes the evening
** CLUTCH closes the evening
"We are very much looking forward to our U.S. tour with our friends in MASTODON. We always enjoy playing live but when we have the opportunity to share the stage with a band as inspiring as MASTODON we know each evening will be that much more special. See ya out there!" -Jean-Paul Gaster
"The old musicians understood that there were many aspects of an effective and engaging performance that could not be embodied in the score. Tempo was often expected to be more flexible. Rhythms could be bent in a manner we still hear in jazz and other types of popular music. Notes weren’t always be taken cleanly, but often approached with various kinds of slides and tonal inflections."
"It's been eight years since our last live album. So we figured it was time for another. Actually we weren't planning on it, but we recorded a few shows and they sounded really great so we thought 'fuck it' let's get it out there. For the record no overdubs, no fixes, no fake crowd, no nothing. 100% absolutely live. No joke." -Zombie
"I just saw some press about a side project called art of anarchy that I worked on last year – I wrote and put my vocals down for these guys and had fun doing a couple of videos too, we had a lot of fun. When they find their front man to hit the road and play some dates, check them out. In the meantime, if you want to check out where I’m at RIGHT NOW, check out my band, SCOTT WEILAND AND THE WILDABOUTS. I couldn’t be more excited about our new record, Blaster, that comes out March 31st. You can see us on the road starting in Feb, and at Sundance next week and SXSW in March. Here's some footage of us in the studio performing White Lightning and a new song called Circles." -Weiland
“We chose this title cause we want to open up people’s eyes to what’s going on in this country. We have a lot to say. Not everyone realizes that our government and the people who run this country are so corrupt, greedy and ruthless. We need to educate the ones we reach. We’re losing our values. We address real issues from full blown corruption and scandals to unjust police abuse and brutality. Everything we stood for as a country is going down the drain. But we still somewhat have our freedom of speech. We’re expressing it all through this record while we can.” -Roger Miret
"The legal opening happened because when Congress amended the copyright laws in the 1970s to cover sound recordings, it only protected those authored after Feb. 15, 1972 under federal law. Since then, a wide variety of music users including TV broadcasters, terrestrial radio and bars and restaurants throughout the nation have performed pre-'72 sound recordings without much legal trouble. As for digital radio, most operators assumed being covered by compulsory fees established by the Digital Performance Right in Sound Recordings Act of 1995 and collected through SoundExchange, even if the money wasn't flowing to the owners of pre-'72 music."
Going through my playlist at the end of a work week is like the toast to the weekend; especially when you have been gone away on vacation for the past week with no contact with the outside world. YouTube playlists and subscriptions coming out my ears so sometimes it's rather hard to follow each upload unless doing a round up such as this. I hope this will make the starting of your weekend energetic, whether you are going into work or escaping from it.
Apologies in advance for those who loathe my video articles but there are just too many great clips out there to ignore. So if you do not have the bandwidth to watch this video, then too bad! Hahaha just kidding.
So for the slower connections just load the article, go for a coffee/glass of water, return, play and enjoy! This will surely be one of my playlists for the end of the work day and hopefully doesn't keep your eyes glued to the screen for too long. Cheers and happy Friday!
*Please click on the hyperlinks of each video to find out more about the artist and album releases.*
“Being Beige” is featured on the Smashing Pumpkins' latest album "Monuments to an Elegy", which was released on December 9th, 2014 via BMG Rights Managment/Universal Music
"We formed Silverchair nearly 20 years ago when we were just 12 years old. Today we stand by the same rules now as we did back then ... if the band stops being fun and if it's no longer fulfilling creatively, then we need to stop. [...] Despite our best efforts over the last year or so, it's become increasingly clear that the spark simply isn't there between the three of us at the moment. Therefore after much soul searching we wanted to let you know that we're putting Silverchair into "indefinite hibernation" and we've decided to each do our own thing for the foreseeable future." -Daniel, Ben and Chris
Despite the dramatic shift in sound between 1994's "Frogstomp" and 2007's "Young Modern", I have always been a fan of this ever changing tripod from Newcastle, Australia. Being introduced to "Frogstomp" when I was eight years old made me the grunge loving person I am today. Hell, I even bust out "Tomorrow" and "Israel's Son" with my high school buddies when we get together for a jam session. Giving fans an "indefinite hibernation" made it easier to explain to fans that they were breaking up. This also sheds a ray of hope to those fans for future reunions and special performances (such as philanthropy causes). Either way, it was a pure massacre from a fan's POV. (haha)
So as usual with bands the artists have side projects and other music reserved for their own collections. Vocalist Daniel Johns was no exception. Johns' vocal abilities and musical talent progressed over the years with Silverchair, giving a new dynamics to each album they released. So being that Johns now had all this extra time on his hands, it was refreshing to see him putting out some solo material, such as the track "Atlas" he composed for Qantas Airlines (in preparation for the upcoming Olympics).
"When Qantas first approached me, I agreed to the project as I was really into the idea of creating a piece of music that represented Australia. I wanted it to sound big, something special. It was a conscious effort to create a good piece of music and not just a jingle. I've also wanted to work with the Australian Chamber Orchestra for a long time now, so it was great to finally be able to do that." -Johns
Time passed and Johns was composing/collaborating with numerous artists, including The Veronicas, and Australian rapper 360. Fast forward to 2015 and we see some activity on Johns' social media websites. This was posted last week to his Facebook account:
I know right?!? After all the time and speculation, we finally get to see what Johns can do on his own and produce his first full length solo album! Unfortunately not much information has been given other than this photo and this message that was left well over one year ago on Facebook:
"Hey there, I'm really excited to finally be sharing what I've been up to with you. I've been super busy in the studio this year and I'm happy to say that I can start sharing some of the music I've been making early in the new year.
First up will be an unexpected collaboration with a friend and then my own album will follow later in the year.
I'm not so great at the online world but I'll try to keep in touch from time to time and other folks will help fill in the gaps.
So guess for now we will wait and see what "Aerial Love" can bring to the music world and if Johns is equally string in his solo career as he was with Silverchair. As a longtime fan of his previous work, I am sure that his progressive vocals and songwriting will prove beneficial.
Oh, and as a bonus for you all here is a video of Daniel performing for the 40th birthday of Triple J radio station. This was taken in January, 2015. Enjoy!
*UPDATE*
Well, it seems that Johns has now graced his fans with their first glimpse of new material. Check out his new music video for the title track "Aerial Love". This will be the lead single in his four song EP, which will be released on March 13th, 2015 via Eleven: A Music Company Pty Ltd.
(Album artwork courtesy of Daniel Johns and Eleven: A Music Company Pty Ltd)
1. Preach 2. Aerial Love 3. Surrender 4. Late Night Drive
"Filmed on the Stockton Dunes and created using new drone camera technology, the video takes you on a transcendent, mesmerising journey as Daniel walks across a deserted landscape." -Daniel Johns Facebook
Oh how I love that warm, fuzzy feeling you get when new albums arrive on a Tuesday morning. Every time I look through the weekly releases, I can't help but to think of my retail days in high school. There were some customers that were VERY eager to get their hands on their latest and greatest. They would pop in over the weekend or on a Monday and see the new releases sitting in the back corner of the desk.
I can't remember how many times I was asked to sell a copy ahead of the scheduled release date. Even as I explained the hardcore legalities behind this issue, it seemed to fall on deaf ears like I was making a story up. Some customers offered extra money for a day or two early, others simply said "c'mon man, I won't tell anyone". Usually each person was met with a smile and a calm "sorry". Some customers would actually get angry with me like it was an entitlement for them. Either way, it was a fun time being the gatekeeper to so many great albums.
Anyways, just a quick flashback memory and now back to the releases. If you get the chance to make your way to your local record store, show some love and pick up a copy. If online is more your thing, then be sure to go through an online retailer or a trusted digital source. Cheers and have a great week!
(North Atlantic Oscillation - The Third Day)
All in all, The Third Day is an easy album to listen to, perhaps too easy. The tracks are only mildly distinct from each other because the band seems not to have developed a cohesive sound. Sure, they may class as ‘rock electronica’, but they seem to have just shoved the two genres together without any understanding of what elements they actually want in their sound. North Atlantic Oscillation’s album is fine for background music and therefore limited. -The Metropolist
(Fall Out Boy - American Beauty/American Psycho)
Miles from the Chicago bar scene, Fall Out Boy are hellbent on taking over the whole damn world. The key to enjoying their journey is simply letting go of the wheel and allowing them to drive.
The success of ‘American Beauty/American Psycho’ comes down to the listeners’ ability to pull their emotions out of their expectations. If you’re looking for a continuation of the albums they’ve already created, the possibility for disappointment is probable. While several of Fall Out Boy’s signatures are intact — including a handful of witty one-liners — the new direction of the band is completely undeniable. -Diffuser
Manson is clicking on all cylinders with this one, leaning more on the darkly sinister side than his overly aggressive rockers. The disc kicks off with one of its standout tracks, as Manson hits his mark on ‘Killing Strangers,’ a song that starts with a sludgy beat that slinks along and builds in intensity. There’s a vulnerability in Manson’s voice as he belts, "We’re killing strangers so we don’t kill the ones we love". -Loudwire
The beating heart of The Mindsweep is its political intent, and with tirades against bankers, climate change deniers, and the privatisation of the NHS, no one is safe from Enter Shikari’s agenda. What sets The Mindsweep apart from most other political albums is that while Enter Shikari acknowledge we’re facing dark times, they also remind us that we have the power to do something about it. There’s as much hope on The Mindsweep as there is doom and gloom. This is best displayed on standout track The Last Garrison, switching from angst-laden verses to euphoric choruses with ease. -The Upcoming
(Serious Black - As Daylight Breaks)
At first, I was somewhat unsure what I was going to get when I was sent this promo. The name seemed to be an attempt at a funny pun on the name of a “Harry Potter” character from my childhood. Then I read the press release, and just who was involved and realised it was going to be something awesome. Featuring ex-HELLOWEEN member Roland Grapow on guitars, as well as Thomen Stauch, who used to be in BLIND GUARDIAN, amongst other particularly good musicians, I just knew it was going to be a power metal treat. -Metal Temple
(Until The Ribbon Breaks - A Lesson Unlearnt)
Before you’ve had the opportunity to fully unwind, A Lesson Unlearnt dives into more uptempo waters with the seductive “A Taste of Silver,” a track that was previously released on the band’s EP of the same name. Tinged with hip-hop breakbeats and tantalizingly sexy lyrics about infatuation, “A Taste of Silver” is a seductive R&B romp that is easily one of the more accessible tracks on the album. -LA Music Blog